EVAN CAIN
THE ESTRANGED (2017 SHORT FILM)
DIRECTOR, EDITOR
LOSS CONTROL: PILOT (2016 WEB-SERIES)
DIRECTOR, EDITOR
A NEW EXISTENCE (2016 MUSIC VIDEO)
DIRECTOR, EDITOR, CO-PRODUCER, DoP
SCRUMBAG (2016 SHORT DOCUMENTARY)
DIRECTOR, EDITOR, DoP
I was also responsible for most of the lighting for this project, as well as sound mixing.
Took on the role of Camera Operator (5:40) for POV shot.
This film was shot using a BlackMagic Cinema Camera, and was edited using Adobe Premiere Pro.
My first project as a Director working with a script, as well as casting professional actors.
Shot using a BlackMagic Cinema Camera
Choreographed the break-in scene (1:58), shot with handheld BlackMagic Cinema camera for jarring, shaky suspense.
Created a "cop car" (4:28) using key-framing in Adobe Premiere Pro.
I was the Camera Operator for this project, as the "friend" whose POV is the lens for the narrative, four separate days in the artist's life, and the digression of emotions as each day goes by.
This video was shot using a handheld Sony DSLR Camera.
The eyes blinking throughout the POV sequences, as well as the changing colors of the flowers at the start & finish are both from the use of animation and key-framing with multiple effects in Adobe Premiere Pro.
My very first film.
Drawing upon my love for sports, and influences of HBO's Hard Knocks & countless NFL Films specials, I aimed to capture the raw personality & tedious routine of my subject.
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This film was shot using a Sony DSLR Camera.
SJU RELAY FOR LIFE (2016 COMMERCIAL)
DIRECTOR, EDITOR
Part of Relay for Life's marketing campaign for their 2016 event on our campus.
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*NOT* Responsible for the footage from any previous Relay for Life Event shown in this commercial.
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All B-Roll footage shot with a Sony DSLR, as well as drone footage provided by the University.
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This commercial was aiming to promote the social media campaign #WhyIRelay and to make light of the previous success from past events.